卢克·帕斯夸尼
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导演:
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约翰·格雷
剧情:
瑞克(威尔·霍纳夫 Wil Horneff 饰)的母亲玛格丽特(海伦·谢费 Helen Shaver 饰)是一位研究灵长类动物的专家,在她的实验室里,养着她的研究对象——猩猩凯蒂。一次偶然中,瑞克在母亲的实验室里发现了凯蒂,两个纯洁善良的生命以平等的姿态开始了最初的交流。靠着手语,瑞克和凯蒂很快就成为了朋友。凯蒂的主人在马戏团工作,因为手下负责表演的猩猩死了,于是他决定将凯蒂带回去填补空位。得知了这一噩耗,瑞克伤心欲绝,左思右想之后,他竟然驾驶着私家车,带上凯蒂“私奔”了。身前是无法预测的未来,身后是步步紧逼的“追兵”,瑞克和凯蒂最后会面临怎样的结局呢?
导演:
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汤姆·维里卡
剧情:
由 Shondaland 和杰斯·布朗内尔打造的《布里杰顿家族》第四季回归,带来充满童话色彩的全新故事。尽管家族女家长维奥莱特·布里杰顿夫人(鲁丝·吉梅尔饰)一再劝说,自由不羁的次子本尼迪克特·布里杰顿(卢克·汤普森饰)拒绝安定下来。然而,在维奥莱特举办的化装舞会上,本尼迪克特被一位神秘的银装淑女深深吸引。在妹妹埃洛伊斯(克劳迪亚·杰西饰)不情愿的帮助下,本尼迪克特开始在社交圈中挖掘这位年轻女士的真实身份。然而,他的心上人并不在上流社会,她是一位聪明机智的女仆,名为索菲·白(贺贻林饰),效力于令人敬畏的女主人阿拉明塔·具(梁佩诗饰)。 命运让本尼迪克特和索菲再次相遇,本尼迪克特在对这位迷人女仆的现实爱慕和对银装淑女的幻想之间挣扎,然而他并未意识到她们其实是同一个人。本尼迪克特无法将这两位女性视为同一人,这是否会让他与索菲之间那种不可否认的火花化为泡影..
导演:
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Cole Davidson,Matthew Luke Tucci,约翰尼·哈洛兰,亚历克斯·巴伯,保罗·坎达里安,艾米·苏·福尔,马修·卢克·图齐,杰夫马克,Gina Barber
剧情:
After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.
导演:
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迈克尔·珊农
剧情:
Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.






























